DEAD MIND RECORDS

Seth Price - Inner Storm CD (13 EURO)

Seth Price is an American contemporary artist known for his conceptually driven, multidisciplinary practice spanning video, music, sculpture and writing. His work explores circulation, media systems and the production of images and meaning in contemporary culture. Price has exhibited widely at major international institutions and is also recognized for his influential essays on art and distribution.

Music has long been central to Price’s practice. Beginning in 1994 with a 4-track recorder, his approach was rooted in experimentation, using field recordings, found sounds, feedback and tape loops. For over a decade, music functioned as both an experimental laboratory and an undercurrent to his film and video work. “It was really the emotional soundtrack to my life.”

That sensibility returns here with renewed focus. Inner Storm is rooted in a deeply personal moment and unfolds as an intense document, charged with immediacy. The album comprises four pieces built from single-pass improvisations using a replica of an early synthesizer, requiring real-time manual control. A constant LFO pulse acts as an internal rhythm, unifying the compositions. Effects pedals are adjusted on the fly, making each moment of sound inseparable from the act of its creation. More than a return to music, Inner Storm reaffirms its role within Price’s broader practice: a space where process, emotion and time converge.

200 copies in a 4-panel wallet. Split release with Hartwig Art Foundation.

V/A - Colonial Vipers LP (22 EURO)

Released in 1982 on Trumpett, the Colonial Vipers cassette offered an extensive snapshot of the Dutch home-taping scene at its creative peak. One of the earliest compilations of its kind, it brought together a diverse array of underground artists, nearly all contributing exclusive tracks. For this reissue, 13 of these rare pieces have been carefully selected, highlighting the experimental energy that defined the era.

Naturally, it features core Trumpett artists Ende Shneafliet, capturing the spirit of the early ‘80s experimentation with their otherworldly minimal synth composition and Doxa Sinistra, blending cold wave and electronics in ways that remain strikingly fresh today. Also present are acts such as Van Kaye & Ignit, Nice Circles and The Actor, whose minimal and infectious tracks epitomize the DIY synth ethos of the period. Additional contributors like Genetic Factor, Det Wiehl, De Fabriek and Muziekkamer offer textured, atmospheric pieces that blur the line between the avant-garde and concrete industrial sound works.

For the first time ever on vinyl, this revised edition preserves the energy, eerie atmospheres and mechanical beats that made the original cassette a hidden gem of the European underground. Carefully mastered to ensure every nuance of these pioneering tracks is fully realized, it is a must-have for minimal wave enthusiasts and anyone fascinated by the innovative sounds of the early Dutch post-punk scene.

300 copies on black vinyl + 100 copies on green vinyl. Comes with 2 small inserts.

FNTC - Opera CD (SOLD OUT)

The experimental landmark Opera by FNTC returns in a remastered CD edition, nearly forty years after its original cassette release on Staalplaat in 1987. A striking document of Europe’s late 80s cassette underground, Opera captures the collective at their most adventurous - merging spontaneous composition, sound collage and performance art into a single immersive experience. As a member of the Fluxus movement, Willem de Ridder brought his conceptual sensibility to the project. Cora Emens, known for her erotic performances, contributed a distinctive vocal presence. Nick Nicole expanded the palette using everyday instrumental objects, while Hessel Veldman shaped and structured the work’s unique soundscape. Also featuring Jon Rose on violin, the recording remains a testament to the fearless creativity that defined the experimental music scene of its time.

Recorded during the summer of 1986, Opera showcases FNTC’s distinctive approach to instant composing and live sound construction. Conceived as a three-dimensional ‘hearplay’, the original performance unfolded across a multi-speaker setup, with the audience blindfolded and reclining on couches. Following its cassette release, Opera was featured in the All Chemix Radio Series, issued by Staalplaat and the Radio Art Foundation on tape and broadcasted internationally. It also became a part of FNTC’s European Instant Composing Tour throughout the late 1980s.

Now available on CD for the first time, this edition restores the full depth and atmosphere of the original performance. The accompanying artwork, discovered in Willem de Ridder’s archive, features a collage created by De Ridder and Peter Pontiac. Faithful to the spirit of the avant-garde and the legacy of Dutch cassette culture, Opera stands as a vivid reminder of a time when pushing boundaries defined the underground.

200 copies in a 6-panel wallet. Split release with Tribe Tapes.

Club Moral s/t CD (13 EURO)

Club Moral is an organization founded by artists Anne-Mie Van Kerckhoven (AMVK) and Danny Devos (DDV) on January 1st, 1981, in Antwerp, Belgium. From 1981 until 1987, Club Moral functioned both as an industrial band and a venue. The venue, located in Antwerp, became a hub for underground culture, hosting numerous exhibitions, happenings and live performances by artists like Produktion, Boyd Rice, John Duncan and Coupe de Grace. The first event at Club Moral took place on June 19th, 1981, featuring État Brut performing live together with DDV and Mécanique Végétale. Later that year, on September 19th, the band Club Moral made its live debut. They quickly gained a reputation for their confrontational performances, provocative imagery and uncompromising attitude. Between 82 and 87, the group released a series of legendary cassettes, filled with raw industrial sounds, primitive power electronics, noise and conceptual art.

In 1989, the band remained active and recorded their first LP for Cthulhu Records. Around the same time, Frank Gorissen began producing electronic music and hosting a radio program called Radio Militia. He invited Club Moral to perform a live radio session in his studio, where the band played a mix of new versions of familiar tracks and improvised pieces. The recordings were never released, until 2024, when Frank rediscovered the original tapes and produced a new master that perfectly captures the raw energy of the performance. Club Moral agreed on releasing it as an album and AMVK designed the cover art, featuring images of people who were born or died on the date of the performance, March 29th.

In the late 1990s, DDV was a teacher-in-residence at the art school where I was studying. I enrolled in his performance workshop and on the first day, he showed us videos of extreme performance art and then challenged the group to do similar actions. His determination and hardline approach left me impressed and it became an inspiring and intense week for me personally. I’m happy and proud to be able to release this Club Moral CD as a follow up to the Lonely Weekends 7” from 2006.

200 copies in a 6-panel wallet

Carlos Giffoni & Jochim Nordwall - New Music LP (22 EURO)

A meeting of two uncompromising sound artists, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Rising from the outer fringes where abstract techno, noise, and electro-acoustic composition converge, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni’s deep synth drones collide with Nordwall’s ritualistic sense of structure and rhythmic, creating a sound that feels at once mechanical and organic, grounded and cosmic. Moving between dense rhythmic sequences and vast stretches of tonal drift, New Music unfolds like a continuous exploration of energy and decay - music that challenges the boundary between motion and stasis, chaos and control.

For listeners of forward-thinking electronics, this collaboration stands as a compelling testament to the power of sound and the unique chemistry that emerges when two creative worlds intersect. Nordwall explains: “Even though we spent a lot of time together, we never really talked about making music together. But when Carlos visited Sweden, I asked if he’d be into it, as I felt our recordings were starting to sound like they came from the same planet. He kindly agreed and sent me a batch of files to work on. That became New Music - our music, our shared sound.”

Carlos Giffoni is a Venezuelan-born experimental musician and composer known for his visceral approach. A central figure in the 2000s New York noise and experimental scene, he founded No Fun Fest and has collaborated with artists such as Merzbow, Prurient and Jim O’Rourke.

Joachim Nordwall is a Swedish artist and musician exploring industrial, drone, and minimalist, repetitive electronics. As head of iDEAL Recordings and a member of projects like The Skull Defekts and Organ of Corti he remains a key force in Sweden’s experimental music landscape.

200 copies on black vinyl + 50 copies on transparent purple vinyl.

Organ of Corti - Locus LP (22 EURO)

Following a creative burst in 2024 that resulted in several releases on iDEAL, New Forces and No Rent, label favorites Organ of Corti are returning to DMR for their first LP. Slowly moving into new territory, they deliver 6 bare boned surreal soundscapes. Minimal, repetitive tape loops, haunting synths and vaguely familiar vocal samples are carefully mixed for a sonic exercise reminiscent of classic Nurse with Wound and Organum releases.

The Swedish trio of scene veterans Joachim Nordwall, Mattias Gustafsson and Dan Johansson have been exploring the possibilities of sound manipulation for years, together or by themselves under various aliases. Stoically moving forward in pursuit of obscure, atmospheric textures that will get right under your skin. While the world is falling apart, they have been fine-tuning their hallucinatory concrète ambiances. The sort of stuff that fits a bleak, enervated mood by chewing on nerve ends, transporting heads to other places.

300 copies on black vinyl + 50 copies on green vinyl w/ extra hand numbered print.

FNTC - Europe in Flames CD (14 EURO)

The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble FANATIC (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin Curran, Francis Marie Uitti and Jon Rose. Together with Cora and Nick they started FANATIC to focus on field recordings, intimate happenings and theatrical storytelling.

As a multi-media project FANATIC was not just obsessed by sound but dedicated to live rituals, producing videos, cassettes and radio plays like Europe in Flames, the pinnacle of this album. It’s a multi-layered piece for which the foundation was recorded by Willem on a boat trip to England. One of his spontaneous field recordings that sounded more like an intricate studio production. In a house near the North Sea on a windswept Autumn evening in 1985 percussion, voices, synthesizer and sound effects were added and when their friend and collaborator William Levy arrived, he listened to the freshly recorded wall of sound, took a short poem from 1978 out of his pocket and started reciting. This final layer of sound complemented the audio perfectly and the result was published on the Neuropa cassette in 1986 and is still chillingly relevant in 2025.

Their haunting, meditative and immersive audio pieces and challenging performances evoke comparisons with groups like COUM Transmissions and Throbbing Gristle. Bleak and raw, but also sensual and poetic. FANATIC released 3 cassettes in the 80s with more material to be discovered in the EXART archives. In addition to the classic Europe in Flames, we dug up 2 unreleased pieces from 87 for a long overdue conspectus.

200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive.

Willem de Ridder & the Radio Art Foundation present "Radiola” LP (22 EURO)

Between 1978 and 1984, Fluxus artist Willem de Ridder did a weekly radio show called De Radiola Improvisatie Salon. Listeners were invited to send in cassettes recorded at home and would get guaranteed air­time. Willem never listened to any of the tapes in advance. No censorship or personal taste were involved, just total artistic freedom. Long before social media existed, he understood that just providing a platform could ignite boundless creativity. Willem was a visionary, always pushing the boundaries of art and mainstream culture, while his interactive radio shows were breaking down the barriers between listeners and producers.

Unknown home tapers and independent artists would share their freshly recorded bedroom experiments with the world and Radiola became a catalyst for the rising Dutch tape scene. When the show gained popularity, broadcasts became open to the public and people would visit the salon to submit their latest cassettes in person. From these live events a network of independent labels emerged, releasing and exchanging cassettes. Punk was fading away but a new alternative to the mainstream was born.

Nobody seems to know what happened to the Radiola master cassettes, but somehow a few boxes survived and were archived by Marco van Dalfsen in 2022. We went through hours and hours of material and eventually compiled this album. A few names might sound slightly familiar, but our goal was to unearth the most obscure hidden gems of Dutch home taping culture. The result is an eclectic mix of ambient, industrial, lo-fi weirdness and experimental music and offers a unique glimpse into a very specific, but still relevant piece of the past.

200 copies on black vinyl + 100 copies on red vinyl w/ envelope including 14 extra inserts.

Lettera 22 – Blue Telepathy MC/7"/BOX (27 EURO)

R Lettera 22 is a project of Riccardo Mazza and Matteo Castro, hailing from northeast Italy, a region riddled by ravines and sleepy villages. For Blue Telepathy they edited concrete sounds, field recordings, analog instruments and tape manipulations into 4 textured compositions, drenched in tape hiss and interrupted by waves of distorted electronics. At the peak of their powers, the duo created a true sense of space and a hauntingly sensorial, immersive shadow world, where ghosts seem to come alive. A desolated landscape where distant traces of rhythm suggest the interaction of machines. No healing or processing, just flashbacks and fading memories.

Lettera 22 stands tall at the intersection of the many different realms of experimental music and sound art. Uncompromising, with an eye for detail and a commitment to quality. Each release a perfect demonstration of their technical skills, building up a simmering tension while keeping a tight grip on the complex, dynamic mix of ambiance and sound.

Box, limited to 150 copies, containing; cassette, 7”, booklet (A4, 16 pages), poster (A3) & sticker

Red Brut – On Bare Ground LP (SOLD OUT)

Red Brut’s third album, "On Bare Ground", is a sonic tapestry woven from the final threads of her Rotterdam existence. Entirely composed of soundscapes captured during her last two years in the city, the album evolves into a poignant farewell as its creation mirrors the passage of time, culminating in a profound departure from her life there.

“On Bare Ground” is a sculptural work blending its lo-fi with haunting melodies, field recordings, and ethereal soundscapes. Uncompromising in its approach, the album evokes the echoes of experimental music from a spectrum that ranges from dark bedroom pop to rhythmic noise, crafting a cloudy and dreamlike atmosphere. With meticulous attention, it unfolds as a strong hypnotic journey, where intricate sounds emerge from a hidden center, while, in a parallel narrative, they gradually expose On Bare Ground’s underlying deep melancholic core.

Red Brut is the artistic alias of Dutch artist Marijn Verbiesen, who recently moved to Groningen and has been a vital force in Rotterdam's art scene. Her work reveals a particular sensitivity to everyday sounds, the soundscapes of cassette music, musique concrète, and spontaneous sound collage, combining these elements into a unique and truly personal avant-garde expression. This expression is present in various forms, in a wave of releases that began with limited-edition underground cassette releases in the mid-2010s and culminated in her two full-length albums, "Red Brut" (2018) on the Belgian label (K-RAA-K)³ and "Cloaked Travels" (2020) on the Finnish labels Lal Lal Lal and Ikuisuus. She has appeared at many important European festivals such as Rewire, KRAAK festival, Inversia, Colour Out Of Space and in numerous smaller venues worldwide. In addition to her career as Red Brut, Marijn is a member of the free improv/weirdo electronic pop duo Goldblum and before in the experimental no wave/noise trio Sweat Tongue.

200 copies on white vinyl with obi-strip. Split release with Coherent States & Enocore.

Felix Hess – Frogs, A Selection of Field Recordings LP (SOLD OUT)

About 10 years ago I tried to contact Dutch artist and scientist Felix Hess, when he was still alive, but never got a reply. Years later, in 2022, I was talking to Frans de Waard, who told me he was administering the sound archive of the late Hess together with Mark Poysden. Together we started working on an album to celebrate his life and many accomplishments. It includes selections from all the highly collectible Frogs releases from the 80's and 90's, while the artwork is sourced from his Zenga collection, unifying his two greatest passions.

While in Australia conducting research for his PhD thesis on the aerodynamics and motion of returning boomerangs in 1975, Felix Hess heard frog choruses for the first time. The hills, close to Adelaide, generating amazing natural rhythms and waves of spatial sounds. He started traveling to the outback to record similar frog choruses, camping in quit places to enjoy these wonderful nightly concerts.

Mystified by how the waves and rhythms of frog choruses could emerge without a conductor or a score and by the physics of this method of communication, he started to research the phenomenon in 1982 by designing and building small electronic sound creatures that could respond to each other in a similar way. These creatures and his various other installations earned him international acclaim.

During the 1990s, Hess was invited to Japan many times to present his work and he became interested in Zen Buddhism. One summer evening in 2001 he visited a museum in Berlin and saw actual Zen art for the first time. Overwhelmed by the extraordinary power radiating from this and similar artworks he became addicted to Zenga and gradually built up one of the world's most representative collections of hanging Zen scrolls. A collection he named Kaeru-An (Frog Hut) to honor his original teachers, the frogs.

200 copies on green vinyl with insert, first 40 copies with 4 extra prints in a handnumbered envelope. Repress of 200 copies on black vinyl.

Comes • Veldman – Manifest Exodus LP (SOLD OUT)

As a composer Martijn Comes has a special interest in timbral music and various musical traditions, with an emphasis on the electro-acoustic history. His works for the carillon were performed live at festivals like Le Guess Who and Rewire. He also released several solo-albums and collaborated with a wide range of contemporary artists like Frans de Waard, Lukas Simonis, Nicoleta Chatzopoulou and Hessel Veldman, with whom he co-produced the album EPoX, published by Bedouin Records in 2020.

Veldman is a veteran of the Dutch musical avant-garde and published several legendary cassettes on his label EXART in the early 80’s. His experimental soundscapes are laced with industrial elements, creating a hypnotic, dark undercurrent of sounds. Besides operating under his moniker Y Create, he was a member of the improvisation group Gorgonzola Legs and kept working intensively with Fluxus artist and Dutch underground cult-figure Willem de Ridder. The home-taping era shaped his free approach to music. His diverse musical practices have been traversing several decades by now and he continues to play music according to his own insights and intuitions.

Because of the emotional and poetic weight of the pieces, reverend Tom de Haan was consulted for this collaborative album. It was the start of a musical exploration and a search for peace, balance and above all freedom. Reaching out to a distant world, a place to come to terms with ourselves. A journey full of obstacles and setbacks. Sometimes persistently moving forward, sometimes doubtful. 'Are there Gods among us or inside us?' The music as a manifest, the expression of an inner struggle.

Throughout the chapters of this album layers of sound and distant voices arise and seem to float on the surface before they disappear again. Swaying on the gentle waves, running ashore, we find ourselves in unknown places. Manifest Exodus is an album for deep listening in the vein of Lustmord, Lawrence English or Rafael Anton Irisarri. It contains 4 rich, immersive pieces with austere drones, ambience, intense sonic textures and an incredible sense of detail to create a multi-layered escape to a better world.

Mastered and cut by Rashad Becker at Clunk for the best possible results. 200 copies on black vinyl.

Organ of Corti – Spinalis boxset (SOLD OUT)

Limited set, hand numbered to 50 copies, comes in a silkscreened cardboard box and includes:

• Spinalis MC (only available as part of this set)
• Usher / Trauma 7"
• Incus / Malleus 7" (w/ special, limited cover)
• Cerebri Dolor booklet (24 pages of surrealistic collages and abstract paintings by underground artist Peter Zincken)
• Sticker
• Foldout poster

Organ of Corti – Usher / Trauma 7" (SOLD OUT )

Organ of Corti, the trio of Joachim Nordwall (IDEAL Records, The Gagmen), Mattias Gustafsson (Altar of Flies) and Dan Johansson (Sewer Election, Enhet för Fri Musik) returns with another exercise in the slow-motion decay of analog sound. Usher, a minimal hypnotic track on side A reveals its subtle details after multiple listens while the claustrophobic Trauma on the flipside will grab your immediate attention. Machines that hum, sputter, and crackle while slowly moving forward. Vaguely familiar tape loops, spacious synths and crumbling electronics. A journey into the unknown.

The Swedish underground scene continues to deliver some of the best experimental acts and Organ of Corti firmly establish themselves as part of the foundation with a recent self-released cassette, another cd on New Forces and this new single. While their sound has clearly evolved, these alchemists are staying true to their original intention of forging fragments of surreal nightmares.

200 copies on black vinyl.

Aart Zwaans – Sémi Hóra 7" (SOLD OUT)

In the early eighties EXART label owner Hessel Veldman regularly went to the city of Rotterdam to visit the creative minds behind local act Rotterdans. Their base was a house that both served as a home studio to record sessions of improvised music and a dealing spot for marihuana, which means customers were ringing the doorbell all day and all night long. During a late-night session one of the Rotterdans members told Veldman about a certain coworker, a ship welder working in the harbor, who was in his mid-twenties, lived with his parents in a typical workers' home and was totally obsessed by analog synthesizers. Collecting all the different types and playing them every night.

A meeting was arranged and Veldman met Aart Zwaans for the first time. They went to his room upstairs where he spent his evenings experimenting and writing his own tracks, that turned out to be a mixture of melancholic ambient pieces in the vein of synth wizards like Enno Velthuys and the early electronic music of Klaus Schulze and the Berlin School. Zwaans was a real outsider, not interested in the underground tape trading scene and preferred to be left alone. He did however promise Veldman to record some tracks and draw a cover for a cassette on EXART which was releases in 1982. Although plans were made to release more of his music, the Sémi Hóra cassette turned out to be the only remaining proof of his mysterious existence.

Sémi Hóra stayed an obscure must-have for collectors of underground music only, until some of the tracks were uploaded to the internet, where it reached a modest new audience. Overlooked by the various reissue labels, some of these hidden gems from the golden age of home taping are now finally presented on vinyl for the first time. In association with Veldman and archivist Bence Meijer, we selected 4 tracks from the original tape to be remastered for a convincing sample of one man’s imperturbable vision. Hopefully it prevents this idiosyncratic and talented musician from fading into total oblivion.

100 copies on white vinyl, first 75 copies with handnumbered postcard.

Plus Instruments – 79/80 LP (SOLD OUT)

While she was still a member of Nasmak, one of the leading bands of the Dutch ultra-movement, Truus de Groot started Plus Instruments in 1978 with herself as the sole member. When the project evolved, she found a wide range of rotating collaborators like Michel Waisvisz, Lee Ranaldo and James Sclavunos. Plus Instruments was about freedom and the live performances were largely improvised. The sound minimal but captivating. The music always came from within, but De Groot was also triggered by bands like Red Crayola, Suicide, DAF, Wire, Per Ubu, Devo and the No Wave scene in NY. She was always experimenting with primitive multi-track recording and whatever crappy gadgets she could find. Always looking for a gritty, dirty sound and bizarre overtones.

At a young age she travelled to New York and began to immerse herself in the nightlife of the city that never sleeps. Here she found true creativity, passion and expression. The club scene was alive but highly competitive, so this fearless Dutch girl would just knock on promoter’s doors to get gigs booked at places like CBGB’s, Peppermint Lounge, Underground and the Pyramid. De Groot eventually settled in the United States and never stopped experimenting with sound. In recent years she reinvented Plus Instruments and led the group into new territory.

The recordings for this LP were made by De Groot at home and the music is experimental, minimal, industrial but also playful, sounding nothing like most of the later material. 14 tracks in total of which 8 are taken from the elusive and impossible to find self-released debut cassette as ‘Truss Plus Instruments’ which was sparingly distributed by Nigel Jacklin and his legendary Alien Brains fanzine in 1980. The remaining 6 tracks are from the same period (1979-1980) and were carefully selected from the vast archive of De Groot. We are glad to present this anthology that serves as a long overdue testimony to the formative phase of a unique female pioneer of electronic music.

200 copies on black vinyl with insert + 75 copies on purple vinyl with a signed and numbered print, an envelope with 4 small prints and a cassette with 2 archival live performances from the same period: A Truus de Groot solo performance at Van Abbe Museum, Eindhoven (1980) and a performance with Michel Waisvisz and original Plus Instruments member Bregt Camphuijzen at the Notre Dame Hall, London (1979).

Robert Turman – Distant Dosage LP (SOLD OUT     )

Turman first came onto the industrial scene in the late 70’s as the ominous ‘other half’ of legendary noise outfit NON. Shortly after recording the classic 1977 single Mode of Infection, Turman went on to pursue his own unique vision as a solo artist. Fusing every possible influence at his disposal while laying his ideas down on self-released cassettes like Flux (1981), Spirals of Everlasting Change (1987), Way Down (1987) and the massive Chapter Eleven cassette box set (1988). After a hiatus Turman resurfaced in 2005 to team up with seminal noise musician Aaron Dilloway. Since then, he has been gradually adding new titled to his already impressive discography.

For this archival release Turman selected 7 tracks that were recorded between 1980 and 1984. A welcome supplement to his library of avantgarde music that was released in the 80s. This album fits in nicely between the early industrial noise, the long-form minimalism of Flux and the rhythmic industrial of Way Down. Focusing on slowly shifting hypnotic loop-based layers of sound, it covers a specific side of Turman. It feels like there’s a direct link to his earliest works but it’s also a precursor to some pieces that were recorded much later. A missing link that finally gives us the opportunity of a complete overview of his early audio work.

All 7 tracks on this album have a connection to the written word in the form of a poem. Scans of the original typewriter poems are included together with collages and drawings from this specific time frame to create an essential and singular piece of art.

225 copies on black vinyl with insert + 75 copies on red vinyl with extra insert and numbered postcard. Repress of 250 copies on clear vinyl.

Enno Velthuys – Ontmoeting LP (SOLD OUT)

Ontmoeting (Encounter) from 1982 marks the beginning of the published audio works of Enno Velthuys. When Rob Smit of Kubus Kassettes first visited Enno to discuss the possibilities of releasing a cassette, he was open to the idea and gave Smit access to his tape archive of recorded tracks to cherry pick his favorite pieces. Initially Enno felt the selection didn’t do justice to his broader musical spectrum, that also included more rhythm orientated guitar pieces, but in hindsight it probably gave him a new sense of direction.

On this album, a mixture of spacious ambient and synth-leaden music, we hear Enno in transition. Experimenting, searching for his own voice. Some pieces are reminiscent of a classic dungeon explorer game while others have a more surreal, cinematic feel. Although 40 years old, Ontmoeting still sounds incredibly fresh today and stands as a pivotal ambient release from the early 80’s.

400 copies on black vinyl + 100 copies on blue vinyl with a fold-out poster, 2 extra inserts & a small sticker. Included download card.

Enno Velthuys – Landscapes in Thin Air LP/7" (SOLD OUT)

Landscapes In Thin Air is Enno’s third album and was initially released by Kubus Kassettes in 1985. When Rob Smit decided to stop his label activities shortly after publishing this cassette, Hessel Veldman published a second edition on his label EXART.

Compared to his second album, Glimpse of Light, it has a stronger presence of rhythm and a more melodic use of synths. These 10 cinematic sketches have a clean, caressed calmness about them and seem to depict a specific time, feeling or location. A light atmosphere, the sky warming up during sunrise, a sense of discomfort and finally, the city cooling down when night falls.

It’s hard to imagine Enno producing this majestic album by himself in his bedroom. All his trademark arrangements in place, framed by a tight controlled aesthetics and a strong metaphorical presence. Meticulously recreated from the original cassette masters, we are proud to reissue this ambient masterpiece.

500 copies on black vinyl. Included download card.

N.E.R.F. – Ivinenn / Skavenn 2CS (SOLD OUT)

N.E.R.F is a collaboration project of longtime comrades Peter Zincken (Odal) and Johnny van de Koolwijk (Zyrtax). Using vintage field recordings from the Odal vaults as a foundation, adding fragments of improvised live recordings, analog synths, loops & vocals they recorded 2 albums over the last 2 years. Drawing inspiration from nature, mystical rituals and the ancient world in general, these 16 tracks capture the struggle of survival in a modern society. A journey to the end of our world, to overcome weakness and honor forgotten fragments of the past. Regression instead of progression.

Double cassette housed in an old school thermoform box limited to 30 copies. Comes with an additional booklet.

Something Vile - Suicide Souvenir CS (10 euro)

After a random discovery on Bandcamp I kept returning to the dirty, rhythmic synth noise of Something Vile. An unknown project to me at the time that turned out to be the brainchild of Alex Ford, a restless soul spinning his own web in a dark corner of the noise, industrial & power electronics scene. Operating his label, Deathbed Tapes while using different monikers for his own musical output.

For his latest release he produced a mixture of primitive, distorted beats and layers of screeching noise to create an intense experience that feels like being hit in the face with a sledgehammer, leaving you knocked down on the floor begging for more. Pure bummed out lo-fi industrial using analog drum machines and FM synthesis through fuzz pedals and bit crushers. Sounds like SPK and Maurizio Bianchi going back in time to perform at a caveman ritual.

75 copies, with handmade slipcase and a numbered insert.

Organ of Corti - Incus / Malleus 7” (SOLD OUT )

Born out of a common interest in the repetitive, challenging and intense the three-headed dragon Organ of Corti is a new collaboration project between Swedish sound experts Joachim Nordwall (IDEAL Records, The Gagmen), Mattias Gustafsson (Altar of Flies) and Dan Johansson (Sewer Election, Enhet för Fri Musik). Inspired by tape music from the 60s, minimal music, early industrial and collective creativity their sound is unique and unheard of. Organ of Corti is about hearing, about how to be affected through sound and the power of reaching other states of consciousness through composition and deep listening.

While Gustafsson and Johansson deliver their trademark crumbling tape loops, Nordwall adds spacious analogue synth layers. Carefully mixing these bare elements into a hypnotic journey. In the slipstream of their debut cd on New Forces we’re proud to return to our favorite physical format to present their first vinyl edition, containing 2 fresh injections of superior sound manipulation.

250 copies on black vinyl, with hand stamped labels and insert.

Kjostad - Captive CS (SOLD OUT)

New York City-based Kjostad is the moniker of Stefan Aune, who is also involved in Form Hunter and Breaking the Will, in addition to running the New Forces label. Capturing highly personal sounds focusing on northern Minnesota, Aune adds layers of electronics and magnetic tape, weaving an organic tapestry of man-made and natural sonics.

Captive explores the physicality of organic sound and the productive tension that arises when it is captured via analog and digital machines. Composed in 2020 and 2021 and refined through several live performances in New York City, it translates and renders audible the solitary manipulation of wood, rock, metal and other materials.

100 copies, with handmade slipcase and a numbered insert.

Enno Velthuys – Different Places LP (SOLD OUT)

Continuing the reissue campaign of legendary synthesizer artist Enno Velthuys, we are proud to offer the Different Places LP. The original tape from 1987 was the second tape Enno produced for EXART and it was his last work before he disappeared into obscurity. By this time, he became disillusioned by the cassette network and his mental condition sadly deteriorated. With Hessel Veldman, label owner of EXART, getting more interested in experimental music, they were both moving into different places and eventually lost contact.

Willem de Ridder and Enno stayed in close contact. Enno composed background music for some of his radio shows. Willem would release some of these recordings through his own label, Radio Art Foundation. For the limited version of this LP 4 cassette covers, drawn by Peter Pontiac, are added as additional prints.

Enno was a perfectionist, always looking for better equipment. When listening to the original master tape of Different Places it turned out it had a real nice, clean sound. Definitely an improvement over some of his earlier material. While mastering these songs for vinyl in 2021 we tried to stay as close as possible to Enno’s original intentions. Different Places is probably his most coherent work and includes some magical chord progressions. Shades of Erik Satie and Hiroshi Yoshimura mixed with immersive, spacious, cosmic ambient. Melancholic but less claustrophobic when compared to predecessors Glimpse of Light or Landscapes in Thin Air.

While the LP was in production, we were contacted by someone who just bought a framed 1967 drawing from a thrift store, made by Enno. In the 60’s he was playing guitar for various bands and although his father was a famous illustrator of children’s books nobody knew he was also doing these large drawings back then. We are very pleased that we were able to add this amazing piece of art to this publication as an insert.

350 copies on black vinyl + 100 on orange vinyl with 4 extra prints. Repress of 200 copies on green vinyl with extra print.

Enno Velthuys – Glimpse of Light LP (SOLD OUT)

The 2019 Stroom〰 split EP with Hessel Veldman marked the long-awaited vinyl debut of Enno Velthuys and served as a teaser for a reissue campaign of his work, shared between different labels. Finally!

In 1984 Velthuys released his classic tape ‘A Glimpse of Light’ on EXART, the label of Veldman, who stayed in close contact with Enno after hearing one of his private tapes being played on the radio by Willem de Ridder in 1980. During a live-broadcast event random tapes were played. “From Enno Velthuys, The Hague”, was written on the package. Willem introduced the tape, played it and a serene silence filled the studio. Present was a friend of De Ridder, Rob Smit, who visited Enno and his mother a few weeks later. This eventually resulted in Enno’s first release ‘Ontmoeting’ on KUBUS Kassettes in 1982. In those years, Enno was living a solitary life and rarely left his mother’s apartment. He managed to release 6 tapes of introvert, melancholic music from another dimension. Atmospheric melodies backed with sparse percussion, showing an excellent handling of the synthesizer.

The gifted musician with two souls silently passed away in 2009. Now we present, with involvement of the few once close to him, the first reissue of probably his most beloved work. Using the original master tape from the EXART vaults, carefully transferred, edited and remastered. Just Enno with his stripped-down compositions and fragile ambient sounds. An intimate experience celebrating bedroom-music and the glory days of do-it-yourself counterculture.

400 copies on black vinyl + 100 on white vinyl. Repress of 200 copies on clear vinyl with extra insert and cd.

Mario Marzidovšek – Brutal Alter Minimal LP (SOLD OUT)

Mario Marzidovšek (1961-2011) was a member of the international mail-art network, painter, poet, cassette culture pioneer and a key figure of the Yugoslavian underground scene. Influenced by the electro-acoustic avantgarde he began to explore electronic music in the late 1970’s. Like an erupting volcano he released numerous tapes between 1984 and 1987, before aborting his musical activities to move on.

Marzidovšek was truly living an industrial lifestyle as an employee of a chemical factory. His Minimal Laboratorium, filled with homemade devices, old instruments and tape recorders, was the central part of his musical creativity. Using limited equipment forced him to be resourceful and made sure the raw punk-spirit was always present in his electronic music, slowly shifting from harsh industrial polka to lo-fi wave, ambient and barbaric techno.

Brutal Alter Minimal is a collection of tracks from 1985, using the master tapes send to Nihilistic Recordings the same year as source material. Authorized by the Marzidovšek family, this compilation stands as a testimony to a true legend expressing his sheer creative powers.

300 copies on black vinyl + 50 on blue vinyl. Includes insert.

Hans van Eck – Blind Area LP (SOLD OUT)

Hans van Eck started composing music in 1976 and was trained in electronic music at the Institute of Sonology by Jaap Vink, Frits Weiland and Gottfried-Michael Koenig. He studied Musicology at the University of Amsterdam and received lessons in composition by Daan Manneke. His works are performed all over Europe by his own Schreck Ensemble and others.

The Blind Area cassette, released in 1987 by Decay International, compiles several of his early electronic compositions. They serve as an evocation of the blind areas of our minds where only fantasy, intuition and imagination can guide us. Music as a means to illuminate the hidden parts of our soul to discover the mythical world behind everyday life.

For this reissue, 3 central pieces of the original tape are complemented by 2 more recent compositions of somber timbres. Industrial undertones, open spaces and slow waves of pure, refined sound are the key ingredients, but Van Eck adds a subtle, narrative structure for a hypnotic, haunting and elegant experience. A self-contained world with echoes of predecessors like Jean-Claude Risset or Guy Reibel.

250 copies on black vinyl.

Joe Colley – Chapel Action CS (SOLD OUT)

Joe Colley is a visual artist and composer. He investigates audio phenomena using field recordings and electronics. He records also under the moniker Crawl Unit and is the founder of the label Povertech Industries.

Chapel Action documents a 5-hour durational performance at Chapel of the Chimes, a columbarium in Oakland California. Spontaneous text is spoken into a small room and mixed with tones and sounds of amplified writing. Reflections of the room’s architecture become increasingly dense over time as meaning is eroded and words decay. Written pages from the action accumulate on the floor as the performance progresses.

Each silkscreened box contains a signed and numbered original page from the action, a hand cut meditation object and a booklet with photos of the performance and a full transcript of the written pages. Limited to 50 copies.

La Gomera CS/art-box (60 euro)

The idea for this release started years ago while listening to a tape from the Slowscan archive containing a radio broadcast about the Otto Mühl commune on La Gomera, Portugal. Later, while working with William Levy, a close friend of Mühl, on his 2016 LP on Slowscan Records the idea arose to combine forces for an Otto Mühl LP, documenting some of the stuff from the personal archive of Levy. He send me an English version of his book ‘Unser Freund, Otto Mühl’ to be included, but the project was abandoned as Levy’s health declined and it remained unclear who was holding the copyrights for the material.

Years later I was listening to the radio broadcast again and thought it’d be nice to release this as a special edition tribute art-box. I asked renowned Dutch artist Aaron van Erp to contribute as I knew he’s also a fan of Mühl’s work. He gave me a series of drawings to be printed as a booklet together with 2 hand screened, numbered and signed prints. Van Erp has become a rising star of the art world since his graduation in 2001. His surreal and absurd paintings have been acquired for numerous collections in the Netherlands and abroad, including the trendsetting Saatchi collection.

Besides the tape, booklet and prints we included another booklet containing a selection from ‘Unser Freund’ and several small multiples and items. Housed in a silkscreened wooden box in a limited edition of 25 copies and sold as an exclusive mail-order item only.

Alice Kemp - Sweetly My Blacken Doll CS (SOLD OUT)

Sweetly My Blacken Doll is a collection of musical compositions created with recordings of woodwind, voice, sine wave and countryside. All sounds are performed, recorded and assembled by Alice Kemp, with additional sound on track 3 performed by Dark Mother Wood. The music here suggests a genre somewhere between tape noise, classical, blackened chant, electra acoustic and other.

Handfuls of hair, and the English countryside is in shadow. Pointed heads describe themselves, figures settle into their proper place, just on the edge of vision.

Each silkscreened box contains a set of 4 prints and a companion made from beech wood, with human hair, nylon stockings, waxed and mixed thread, hand dyed and mixed fabric, jute string, paint and secrets. Limited to 25 copies.

Mysogyny – Skrag CS (SOLD OUT)

After the passing of Keith Brewer last year, I talked with Peter Zincken of Nihilistic Recordings about what happened. Taint was among the first noise projects I discovered and I’ve been faithfully following wherever Keith went. This journey turned out to be highly rewarding as Taint and later Mania became a great source of inspiration.

In 1989 Keith released his first tape as Mysogyny on Big Body Parts in The USA and Nihilistic Recordings in the EU. The master from Peter’s archive blew me away and includes a few short tracks that are lacking from the Big Body Parts version I heard. We decided to reissue this version as a tribute to Keith. A collection of raw, crude sounds that lay the foundation of what later became a true harsh noise legend.

2 editions of 50 copies.

Depress/Regress & Slave Labor – Seeing Trip’le CS (SOLD OUT)

Dave Gilden & Richard Ramirez created Slave Labor in 1993. With this project they performed live in Houston at Deadline's Noisefest in the same year. Also, at this festival Gilden debut his project simply known as DEPRESS (not long after to be renamed Depress/Regress). Gilden & Ramirez continued to work together in Black Leather Jesus & Lingula. Although troubled as an individual, Gilden's work shows what an impact his legacy has left us as part of the American noise scene.

This tape was mixed by Gilden in 1997 for New Noise Records and includes 3 untitled Depress/Regress tracks, 3 variations of tracks from the Slave Labor – A Sick Cow tape and Seeing Trip’le; an unused Depress/Regress compilation track.

2 editions of 50 copies.

Dave Gilden – Narcotic (Various Noise Works) 3CS (SOLD OUT)

David Steven Gilden was an artist from Houston, Texas, active in the local underground since the late 80´s, recording under varied aliases. Besides his violent and vile sounds, he was also known for his wild live shows and excessive drug abuse, all of which contributed to the legendary aura around him, until he sadly died on April 6th, 2008.

The tracks on this 3xCS set are taken from 4 masters that were sent to New Noise Records back in 1997, which were shelved and never used until now. One master was labelled ‘Narcotic’, the others simply had ‘Various Noise Works’ written on them, as an indication of what to expect. These labels were all David left us to hold onto in an otherwise anonymous and chaotic heap of top-quality harsh noise. In collaboration with New Noise, 19 untitled tracks were edited into this release, hopefully serving as a testimony of the greatness and authenticity of Gilden´s craft, for both old and new listeners.

Limited edition of 100 copies in association with Narcolepsia. 3 cassettes in a special case and 4 panel J-card. Comes with fold-out poster and slipcase.

Jeph Jerman – Cobbled 2CS (SOLD OUT)

Jeph Jerman started recording and performing in 1986 under the moniker Hands To. Most of his early soundwork was sampler and tape loop based, though slowly evolved from electro-acoustic pieces to environmental recordings with very little to no manipulation or electronic processing using only natural found objects like stones, shells, bones, driftwood, pinecones, etc.

The Hands To - Cipher 7” from 95 was an inspirational release for me personally and I always considered Jerman as a key figure in the grey zone between academic sound art and primitive noise. After seeing Jeph perform live a couple of years ago I was impressed by the sound spectrum he created with just a few humble materials and it reinforced my enthusiasm for his work which eventually led to this publication.

Limited edition of 50 copies. Double cassette housed in a handmade silk-screened wooden box. Comes with a booklet with information and photographs, a bag with 4 small stones and a hand numbered print.

Marie Goyette - Stone Memorial CS (SOLD OUT)

Born in Montréal, Marie Goyette studied the piano in Montréal and London. After residing in Europe, she moved to Berlin in 1989. Inspired by the city's lively and unorthodox art scene, she started a second career and expand her activities from traditional concerts to the fields of performance and radio art. In the early 90’s Jan van Toorn saw her perform with Michael Waisvisz at Apollohuis (Eindhoven, The Netherlands) and asked her for a publication on his label, Slowscan Records. Then the master tape got lost in his archive to be rediscovered 30 years later. It turned out it was the only surviving source of these electronic pieces capturing a short experimental rush from 1989-1991.

Later Goyette spent several months at STEIM in Amsterdam and produced radio plays such as 'Transatlantique' (1993), worked on theatre projects and directed her own works. She collaborated with various artists like Christian Boltanski, Dagmar Krause, Chris Cutler and Heiner Goebbels. She’s happy we found her message in a bottle and I’m more than happy she agreed to have this tape published after all, as a document of an artist trying to redefine her voice in a restless city.

Limited edition of 50 copies. Comes in a silkscreened box with a booklet and a plastic bag containing 3 pieces of broken glass, a piece of wire and a signed card.

Contagious Orgasm - Products Unconscious CS (SOLD OUT)

“I’m Hiroshi and I like beer” were the first words Hiroshi Hashimoto spoke to me when I picked him up from an airport in 2006. For the next 2 weeks we travelled together in old car I borrowed from my parents. Just like his records it became an interesting and rewarding journey with unpredictable twists and turns.

Hiroshi has been active as the sole/primary member of Contagious Orgasm since 1987 and rapidly became a truly dedicated and unstoppable force within the underground, covering a broad spectrum of experimental electronics including noise, industrial and ambient. For this release he delivers 2 long, dark, industrial tracks creating a feverish dream sequence.

Limited edition of 50 copies. Comes in a handmade velvet bag holding the cassette, an envelope with 4 prints and a pair of white, black or pink lace panties (one size fits all).

Odal - 1986-1989 18CS (SOLD OUT)

2 years in the making this comprehensive project documents the creative outburst of legendary sound collector and noise addict Peter Zincken in the late ’80. After his discovery of the underground tape culture he quickly started his own label, fanzine and obsessively recorded and manipulated sounds under the notorious Odal moniker. He never lost focus and 30 years later he still is a central figure in the international tape network. Odal always has been hard to categorize and overlooked because of a disinterest in creating a coherent discography and refusal to live up to the expectations of others. These tapes capture a broad spectrum of underground electronics ranging from lo-fi rumblings, field recordings, anti-social noise to politically incorrect power electronics. When 2 lost mastertapes returned from Vis A Vis Audio Arts we expanded the project from 16 to 18 cassettes to present this complete and final overview.

Limited to 30 hand numbered copies. Comes in a silkscreened wooden box and includes a booklet with a lengthy interview, additional artwork & complete discography. Also included are 2 silkscreened cards.